Monday, August 7, 2017

A romp among my chess books - IM Josh Waitzkin

Very rarely, when I find some peace and quiet, I will pull out one of my books from my chess library, and settle down often without a board. The most interesting books are about historical matches, game anthologies of world champions, and miscellaneous high quality game annotations of tournaments. The didactic value of these books varies greatly. What do I, a 1500-1600 player hope to get from reading an annotated game collection of Karpov-Kasparov. I used to think a lot. Practical play has taught me that very little translates directly. Me and my low rated opponent are more likely to overlook in turn, mates in three than to execute a brilliant coup. So, are tactics trainers the answer? There are excellent anthologies from master games to train on tactics, positions where you find the knockout blow. The logic of chess is beautiful, but then you castigate yourself when you fail to spot a tactical shot in your own game.

Separately, many of us club players flounder plan-less or embark on the wrong plan in the middle game. Having literally played over tens of thousands of master games with notes over the decades helps a little, but does not develop your sense of position, or your nose for detail. For this, you read a work like IM Silman's How to Reassess Your Chess, or its companion volume, an elementary buildup of analysis of imbalances in the position as guideposts for active plans. Good coaching for those who can afford it may be a plan in this department.

But, after all the club blunders are done, and you want faith once more in the magic of the game, there are few types of books that speak to a club player. IM Waitzkin's "Attacking Chess" suitable for players from 1250 to 1900 is one such.

The amazing thing about this book is that all games are tactical, it focuses on basic themes like double attack skewer, pins, loading up on pins and provides examples from his own games as a kid. But it does not stop there. It shows positions of increasing complication where you calculate precisely from branching variations to see if you can afford an all-out attack. Examples are too numerous to cite here. But in one case, a white queen must decide whether to leave her king on b1 while going off to set up a mate threat on g7 with pawn and queen. What you have to calculate is a maze of variations where Black brings your b1 king out into the open via a bishop, rook checking kamikaze and chases you around with his Queen. You do not want to allow a perpetual. This is real chess and it is exciting. Multiple examples of Waitzkin are about sac, sac and mate, not in stereotypical positions, but ones where it is vital to see the second wave or third wave of attack. For those who want to hone up on tactics visually while having fun, the entire book can be skimmed by a strong player in about an hour. A strong player would skip over the earlier chapters

By interspersing the personal (for example, after an amazing triple wave of sac attack he won his IM norm, and it was late and his father and he did not want to wake up the sleeping family to share the news. They went on a hunt in the wintry night to find a homeless person and give him 20 dollars to mark the occasion), Josh maintains a connection with the reader. He talks about kids not taking risks. He talks about rating points. He talks about the need to keep learning and to play without pressure, letting it all hang out. When the wins start coming, he says, they will come in a rush and you will go from 2000 to 2200.

In the next post, I will talk about Bent Larsen's famous annotations in his exciting book.

Saturday, June 1, 2013

Handsome Chess Problem published by EDITIONS feenschach-phenix

Arrived in the mail, three handsome gold-on black hard-board cover, problem books publisehd by feenschach -phenix

Umwadlungen in Marchenfiguren, a book on fairy chess problems with 1,473 problems (solutions on facing page), E.Bartel, E.bartel, Hans Gruber

Lignes et Figures, 250 Problemes D'echecs choisis et commentes, Jacques Savourin

As in All Arts, selected chess problems of Shlomo Seider, Theodor Tauber.

I am now enjoying the beautiful compositions of Shlomo seider, two three movers, helpmates and fairies. His use of the Nowotny, and his harmonious keys and by play in the virtual phase of the game are stunning. The comments in English are helpful. Printed at roughly one problem to a page, with solution given below, with ample commentary, the diagrams are large, and the publication sumptuous. I hope to present a few problems from his oeuvre.

Saturday, May 18, 2013

Wurzburg three mover

Roi accule aux Angles , a Alain White problem book, is in French. It is one of the oldest of the Christmas series. I got hold of a rare copy in December last year. In this three-mover, Wurzburg, a famous composer shows some elegant geometry or domination of a queen over two bishops.

The key is 1.Ne1! threat 2> Qxc6 followed by mate. So the light square bishop has to run. If 1...Bb7,2. Qb6 if 2..Kh2 (Qh6 mates on the corridor), if 2...Bh2 3.Qxb7 mate.

Similarly, 1...Bd5 2. Qd4

1...Be4 2. Qh4+

1...Bg2 2.Qf2

Most topical is the self-line opening 1...Ba8 2.Qh8+ Bh2 3.Qxa8 mate

Sunday, October 28, 2012

Helpmate in 3 by G Paros 1933 Il Problema

Reproduced from the early collection of helpmates "Conspiracy" by Alain White, one of his Christmas series books.

This three-move helpmate shows great strategy culminating in a model mate. Every move is thematic. The Black queen prepares to flight-block her King, and has to take the scenic route e2, g4. There is a departure effect right on move 1, as The White King arrives on d5, a square formerly in check. Note moreover that the White knight is now pinned. On the next black move, Black arrives on g4. It is now time for the White king to perform a anticipatory unpin of the white knight. He goes to Kc4. Why does the white king not go to e6, the other available square? Because that is reserved for the mating piece. On Black's last move, the Black King arrives on f4 for his model mate. This horizontally unpins the White Knight, a nice effect. Se6 is a beautiful model mate. The whole thing works like a Swiss watch. The order of the moves is forced, and there is harmonious interaction between the white and black moves, and nice economy.

Roi accule aux angles

This problem of Sam Loyd is reproduced from Alain White's first Christmas book "Roi accule aux angles". I am not providing the solution of the two-mover puzzle this time. To solve it, there are two approaches. One is to note the name of the composer. Sam Loyd has the reputation of a great prankster. The last move you are likely to think of will be the key. Obviously, I solved this problem at a glance. Clue: Despite the overwhelming force available to white, his forces are tripping in each other's path. You need grand open spaces to mate, even to mate a king in a corner!

Rg2? is an interesting try but it fails. Black has two moves both of which defend against Qh8 mate and the threat of discovery by the king. 1..Qa8! keeps the defense of h8 and eyes the queen on a1, Notably 2.bxa8=Q is not even check with the rook on g2.... 1...Qc8 also works (since Her Royal Highness can interpose on c1)

The above should clue you to the key.

an ECHO in a study

The above is a White to play and draw problem created by Prokop. Please do not ask me about the dull R+2P vs R+P endgame draw if Black underpromotes. In the interest of art, let us have him be greedy to succumb to the quick stalemate.

Notice the two variations ending in Qxc4 and Qxc5. You may click on the last moves in the two variations. Notice how almost the entire position is shifted down one rank. This is called an ECHO in the field of chess composition.

In the famous Christmas Series of Alain White, one edition is devoted to Echoes. "It is natural that the echo has spread from the direct (mate in #n) problems to every other class of artistic chess creation. ....Up to recently only traces of the echo idea were apparent in the end game study. It is particularly the merit of F.J.Prokop that we have some brilliant examples also in this field. In his hands many a study gains quite an exceptional character which has neither predecessors nor any tradition in chess literature." Indeed, up until then, artists such as Havel produced echoes in orthodox n-mover form.